The honeymoon moved seamlessly into cohabitation. Geraldine
had amassed some money and we rented a small cottage in a small Alpine spa town
called Les Baines de Deux. In the mornings a pure mountain sun slanted through
the roughly hewn window set in deep stone and lit up a shaft of unsullied light on
the pale wooden floor boards. We would open the balcony doors to a riot of wild
flowers and the sound of a rushing stream and we would drink the acrid coffee
of the mountains and embrace.
The air was thinner up here and the whole world seemed to be
purified. I never felt the pull of narcotics. My only addiction was Geraldine
with her long legs that browned during the long summer days and the wistful look
in her eyes as she toyed with her knotted hair in her mouth.
I felt little sense of time that summer. I drank in shady
places by the rushing river with its sluice and dancing water weeds. I was
oblivious to the drawing in of the nights and the chill that crept over the
cobbled streets later at night. During the days we would take long hikes in the
Alpine meadows choked full of flowers and laugh as the rain storms moved in
quickly from the mountains and drenched us to the skin. But now and then Geraldine
would say things that would vanish my sunny disposition momentarily. She’d talk
about dreading Christmas with her family or Hugo, the boy her family wanted to
her to marry.
One day I found her sat on the wooden floor fanning herself
with a letter. I asked her about it because we never received correspondence.
“My family,” she said.
“Oh.”
She pulled me to her and put arms around me that felt frail
like a chicken’s. “Campbell. In two weeks we run out of money and my brother is
coming to get me. I revealed where I am living on the condition that they
didn’t send me back to rehab.”
I was silent for a matter of minutes as many jumbled
thoughts rubbed their awkward angles against each other. “I knew nothing of
this.”
The girl shrugged. “You knew this was not forever Campbell.”
I stared out the window at the slab of blue and the hint of
mountain ridge behind the mill and thought of the paradise that would soon be
lost.
“Anyway,” said the girl, jumping to her feet. “We have two
weeks. Let’s go out and get drunk.”
The shadows were lengthening when we got to the town square.
There were always artists here with their easels. We usually walked past them
but this time I stopped to admire their work. I stopped by the paintings of a
white haired man who must have been in his seventies who was painting the high mountain
ridges in loving brush strokes. There
was an ethereal quality to the man’s paintings of the soaring glaciers and
skyline meadows. It made me think of Monet at 8,000 feet. The old man squinted
at me and nodded.
Geraldine was mesmerized too. They had a brief conversation
in French before the man turned to me. “Ah Anglais. You have not the painting
tradition but seem interested,” he said.
“We have had a lot of accomplished painters. But the French painters
have more imagination,” I said.
“Well put. Have you ever tried your hand?” The old artist
pulled down some paper on a second easel and handed me two paint brushes. “Have
a go. Paint that mountain ridge.”
“Oh I couldn’t possibly.”
“Yes go on. What do you have to lose?”
I picked up the brushes and dipped them in his palette,
splattering a verdant dark green on the canvass. My representation of the
contours and ridges felt childlike but as I kept applying paint to the canvass
a strange feeling came over me. I felt the curves and descents of those dizzy
ridges. My hand moved down the inclines and up the sides of a glacier. It felt
like an act of love. The old man who introduced himself as Jacques, looked on
impassively. When I had finished I surveyed the final results. The painting
looked brutal and had a child-like quality. Yet at the same time the mountain
scene had some kind of primal power to it.
“Oh God Campbell. Get a job at a bank,” said Geraldine.
Jacques said nothing for a few moments. When he did speak it
was slow and deliberate.
“I don’t know. The boy has something. I have never seen a
first effort like this. So… purposeful and savage,” he said. “This is real
potential.”
Geraldine shrugged and walked off towards the bars. I moved
to follow her. As I walked off Jacques tugged on my sleeve.
“Come by tomorrow. I can teach you how to work on that raw
talent. In a few weeks I will be going to Greece but I’d like to work with
you.”
“OK. I’ll come by,” I said, smiling at the old man as I
followed in Geraldine’s slipstream.
Very nice David. You have a way with verbal imagery...makes me want to find those meadows. Can't wait to see what happens as he works with the old artist.
ReplyDeletethanks so much Tracy :)
ReplyDeleteThe ending of one love and the beginning of another -- really beautiful!
ReplyDeleteYou can find me here:
ClarabelleRant
Thanks so much for visiting Clarabelle - I will check out yours
DeletePoor Campbell; he really did believe their sojourn in Paradise would be permanent. But this is an interesting development - Campbell has a nascent artistic talent. Perhaps he will follow his new mentor to Greece...
ReplyDeleteyou never know right Susan ...
DeleteIt's sad that he and Geraldine weren't meant to be. Painting in Greece sounds nice though if he can manage to tag along.
ReplyDeletethere is this distinct possibility Jean
DeleteHe'll be better off without that Geraldine, she sounds a bit flaky, and the life of an artist is well known to be one long round of sobriety and steady income. We await with interest.
ReplyDeleteoh yes the steady and solid type of career our parents urge us to go into
DeleteCan't wait until the next installment! Who knows but what Mr. Kittenridge will walk in the bar and offer Campbell a job!
ReplyDeleteyep indeed - one never knows their luck..
Delete